



Arial is another font that is overused, mostly because it, and Times New Roman are the default fonts for Microsoft products. The thing to think about when you're using fancy fonts is how much type is your audience going to have to read. It would be hard to read an entire book in italic. It would be difficult to read a whole posting in ALL CAPITAL LETTERS, especially if they're all in italics, too. (This says Vivaldi.)
The two typefaces I have used in my header are Century Gothic for the Pigtown Design part. I like CG because it is clean and unfussy. The other part of my header is called Miss Brooks, but that's isn't the "latin name" for it and so you may have seen it called other things.
I go through phases when I like some fonts more than others. I did sin and use Papyrus on an invitation recently because I wanted something that was easy to read, but looked vaguely Asian. I like this font (below) because it's somewhat louche French looking and conveys an attitude. But at the same time, it's very hard to read, so I don't use it much. Anything longer than a few words is impossible to read.
I found a link to these two fonts, designed by the same person, a few weeks ago. They were free fonts, so I downloaded them. I like that they are elegant and edgy at the same time. Here's the link to these two and some others Eduardo Recife designed.
There are some great free font sites where you can download fonts without worry of viruses. One of the best thing about these newly-designed fonts is is their names. One favourite of mine is Crack Babies, a crackly version of a traditional font. I use fontfreak and dafont as good sites. What are your favourite fonts? Why?
I think that looking at my CV book is like fortune telling with a magic book... Today, the book opened to a piece about wicker furniture. It's very hot here and I often wish I had a nice shaded front porch with some old white wicker furniture.
Yes, I am vain enough to check my sitemeter and have the stats e-mailed to me... I am just that way. Today I checked and noticed that I have just hit the 10,000 visitor mark - 10,007 as of midnight! Thanks to everyone who reads Pigtown*Design. I hope you have as much fun reading it as I do writing it.

The image above was printed, flipped, reprinted, and put on a corner wall. People suggest either adhering the image to foam core or directly onto the wall using spray adhesive. I just tried Block Poster with this picture I took of a gardenia and then scaled it to five portrait pages across and three down. I am not sure whether I will print it out, but it looks good in the PDF.
You don't need to have every single thing in your stock on the salesroom floor at the same time. Sometimes it is better to only show off two hats, and have a sign saying you have different colours in stock, than to have all 30 hats. Or if you do have them, don't line them up like little soldiers, be creative. The WIE has some fabulous display pieces and beautiful old beadboard walls. But you don't notice them because they're not used to their full effect.Do you have pet peeves about stores where you shop? Do you hesitate to ask for something because the storekeeper is having a personal phone conversation? Do you give up looking after a few minutes because there's just too much stuff with no rhyme or reason?
For the longest time, I collected table linens, even though I didn't really even have a dining room. Growing up, we always ate in the dining room, had the table set with silver and linens and were expected to participate in the conversation. I think that my love of linens stems from using them all of the time. My mother had linens that came from her mother and had been embroidered with monograms. She had wonderful white damask and old lace tablecloths that she brought out to use at dinner parties.
